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analógion – ensemble for early music

analógion is an ensemble specialised in medieval music and based in Hamburg, Germany and Basel, Switzerland. Our main interest lies in early liturgical and paraliturgical music – and our philosophy is mirrored by our name:

Having in mind the greek word analogía, we are fascinated by the medieval obsession with analogies: translated as “good relation, accordance, proportion”, analogía stands for the connection of sound, human and world – the connection of what is in the Middle Ages called musica instrumentalis, musica humana and musica mundana. The medieval mind imagines a connection of song and the world – as we think, a beautiful way to describe the power of musical harmony. But even further: For us, “good relation” and “accordance” also stand for the vivid transcultural movements which already happened during those many years that today are referred to as “Middle Ages” – and so we do not want to focus only on central European repertory but are also interested in the medieval musical traditions from the mediterranean melting pot of cultures.

But in the end, the term analógion itself denotes the lecterns used in the Greek church for icons and the scripture – and also that for musical books. Here stood and stand until today the psáltes, the singers who sing the ecclesiastical chants during the liturgies. At and with the analógion we express our visions: The recreation of profound sound, of meaningful rituality – and, last but not least – our passion for an intense and theatrical performance of texts that still convey meaning until today.

This is the purpose of our first programm, Extollemus cantica – Missa tropata Barcinonensis: To bring us together, to join our voices in harmony and attend to the late appearance of tropes, of reflecting texts added to the ordinary of the mass.

“I believe that great are the proofs for heavenly harmony, also in everything that I have said concerning the consonance of this life, and in everything that is exercised with instruments in the musical art”

Otloh of St. Emmeram